Titles
Showing 13,381-13,400 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 13381 | C3BF8E8A-7B43-4FA8-8430-41FBCF877E23 | S411CB | La Contessa | (not set) | Concert Band | |
| 13382 | C3C0BBD4-CBB7-4ECD-9501-2F925F45E75D | X652706 | Singing in the Dark for Alto Saxophone and String Quartet | Also available for Alto Sax and Chamber Orchestra. Movements: I. Meditation on a Shadow, II. Spinning out of Time, III. Almost like Praying, IV. WWDD | Alto Saxophone Solo, String Quartet | |
| 13383 | C3C2468D-463F-4D1A-A910-3D6279FDB6D1 | 50250035 | The General's Order | The original Chinese tune known as The General's Order was used in the Hong Kong martial arts film Once Upon a Time in China. Albert Wang has skillfully creating excited music that will also provide educational opportunities that explore the use of double stops (in the open position) and the use of dissonance. | String Orchestra | |
| 13384 | C3C7E92F-58BE-46DC-A0AA-CC93ACC463EA | S1002CB | Distant Hymns | DISTANT HYMNS is the third movement from the composer’s work Dreams and Faith (The Solomon Valley Anthology). The American Composers Alliance commissioned the work for their Continental Harmony Project. In the late 1880s and early 1900s, many of the inhabitants of the Solomon River area in northern Kansas meticulously documented their lives in the vast expanse of the Kansas prairie in writings in their personal diaries. Several writers recorded an unusual phenomenon where the wind often carried sounds over the open prairie and fields with no visible sound source. An example of this display was sometimes the presence of music, often church hymns, carried with the wind from assumed distant churches that were frequently not there. The melodies could be heard constantly changing in volume and sound as the winds continuously changed directions. DISTANT HYMNS is a musical representation of this experience, where a simple hymn tune is handed to and integrated between different groups of instruments. Ebbing frequently, the music varies in loudness and softness as the melody moves freely upon the wind. | Concert Band | |
| 13385 | C3C8194E-CCAC-4EC0-B4E4-0785D468C13D | R00945 | Serenade for Strings | May be performed separately: "Fanfare" (5') | String Orchestra or Strings Sextet | |
| 13386 | C3CAC1AA-7C72-4C35-AF97-1527F88FC7D8 | O26JB | Black Roots | (not set) | Jazz Band | |
| 13387 | C3CB5373-E48E-406C-92F4-70E0C1497933 | V6 | Eyes of Texas | The official song of The University Of Texas At Austin. This edition includes piano, guitar, and ukelele accompant options. | Piano/vocal | |
| 13388 | C3D342CF-2313-4A71-8763-EF7B1BE11980 | M343491 | Two Pieces: Orientale, Op. 22 and Minuetto, Op. 23 | Solo Piano | ||
| 13389 | C3D98A1B-9ECA-4675-B162-1B9E0E2968D9 | ST465 | Allegro | This Allegro is from Opus 133, No. 5 by James Hook. It is part of the Voxman Ensemble series, arranged by H. Voxman and R.P. Block. | Clarinet Trio | |
| 13390 | C3EAF82B-DA2B-46BD-914C-0E681D567F70 | M226591 | Allegro Appassionato | (not set) | Violin and Piano | |
| 13391 | C3EDCCF6-0E43-4672-BF6E-99E10CF57F1E | A926890 | Pines of Rome, The | Pines of Rome (Pini di Roma) is a four-movement symphonic poem for orchestra completed in 1924 by the Italian composer Ottorino Respighi. The piece, which depicts pine trees in four locations in Rome at different times of the day, is the second of Respighi's trilogy of tone poems based on the city, along with Fountains of Rome (1917) and Roman Festivals (1928). It premiered on December, 14 1924 at the Augusteo Theatre in Rome with Bernardino Molinari conducting the Augusteo Orchestra, now known as the Orchestra dell' Accademia Nazionale di Santa Cecilia. This new edition by Tom Myron features completely reengraved score and parts, clarinets in both A and Bb, C and Bb trumpets, and alternate transpositions for the buccina. Instrumentation: 3(3dPicc).2+1.3(3dBcl).2+1: 4.3.3.1: Timp.Glock.Perc(4).7 Buccine(offstage brass): Str (9-8-7-6-5 in set). | 3(3dPicc).2+1.3(3dBcl).2+1: 4.3.3.1: Timp.Glock.Perc(4).7 Buccine(offstage brass): Str (9-8-7-6-5 in set) | |
| 13392 | C3EF83CF-3C49-4FAB-AC88-FB0396CEF0D5 | SS786 | Prelude and Fugue | Both pieces are arranged for two clarinets in Bb and bass clarinet. A bassoon substitute for the bass clarinet is also included. | Clarinet Trio: Two clarinets, Bass Clarinet, Bassoon Substitute | |
| 13393 | C3F91BB8-1614-4790-8FF2-6CB282275ED6 | B355902 | Bugler, The | This work for solo cornet/trumpet and concert band, dedicated to Leonard B. Smith, was written in 1943 by the prominent band composer and founder of the American Bandmasters Association, Edwin Franko Goldman (1878-1956). The work was transcribed and arranged by Erik Leidzén (1894-1962), who treatment of Goldman's works is often credited with much of their success. | Cornet or Trumpet Solo and Concert Band | |
| 13394 | C3FB1C50-4FCA-430C-8F8E-23E58133AF25 | 52250294 | Overture to Rodelinda | Handel’s opera Rodelinda was first performed at the King’s Theatre in London on February 13, 1725. The overture sets the pace for the dramatic political plot with its majestic introduction and exhilarating presto. This Grade 3 string orchestra version is arranged and edited by Philip Clark. | String Orchestra | |
| 13395 | C4045220-D2A3-4432-8CD4-A31783C2F853 | X511015 | Fantasy Etudes | Suite of short pieces which can be enjoyed by performers of all ages. Songs: I. Countdown, II. Lyric, III. Rough Rhythms, IV. Romance, V. Strolling on Frederick Street | Violin, Piano | |
| 13396 | C405BC53-B0AC-4484-991A-11E01AD07BA0 | SC23 | Two Introits | Satb | ||
| 13397 | C4061A76-0203-4927-B00F-BFB6E7C68CE5 | LV145CB | March | (not set) | Concert Band | |
| 13398 | C40651AC-731D-408D-A9B8-F59C82EDFC5E | A221502 | Concerto [Sinfonia] in G (Op. 51/4), RV 151 / F.XI:11 "Concerto alla Rustica" | Antonio Vivaldi (1678-1741) composed his CONCERTO in G Major, (Op. 51/4) RV 151, between the mid-1720s and 1730, around the time that he was writing the FOUR SEASONS. It does not feature solo instruments, despite being called a concerto. Alternately titled CONCERTO ALLA RUSTICA (rustic concerto), it displays a clear influence of the violin techniques promoted by Georg Philipp Telemann. As one of his most popular concertos, it has regularly found its way into films and TV shows. This Kalmus edition is edited by Felix Schroeder. Instrumentation: Hpchd: Str (8-8-5-5-5 in set). Reprint edition. | Hpchd: Str (8-8-5-5-5 in set) | |
| 13399 | C407FB32-75ED-44DF-AC18-B25B8B02A00B | M210891 | On Wenlock Edge: 1912 Piano Quintet Version | This version of ON WENLOCK EDGE was composed in 1912 and based upon the original song cycle composed in 1909 by Ralph Vaughan Williams for tenor, piano and string quartet. The cycle comprises settings of six poems from A. E. Housman's 1896 collection "A Shropshire Lad". A typical performance lasts around 22 minutes. | Tenor Voice, 2 Violins, Viola, Violoncello, Piano | |
| 13400 | C408D96C-F0FF-4526-B374-454EC6DDD74D | MP221001 | Prologue |