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13421C467C613-3523-4D2E-9A8C-933AD7B9958EEBM0690012Cecilia Valdes: Cuban Zarzuela in Two Acts (Choral Score)Cecilia Valdes is a Cuban Zarzuela based on the novel by Cirilo Villaverde. It is a work of importance for its quality, and its revelation of the interaction of classes and races in Havana, Cuba. The story takes place in colonial Cuba around 1830. The young and beautiful woman of mixed race, Cecilia Valdés, is the illegitimate daughter of powerful land magnate and slave trader, Cándido de Gamboa. Leonardo de Gamboa is his legitimate son. Leonardo falls in love with Cecilia, not realizing that she is his own half-sister, and they become lovers. At the same time, a poor black musician, José Dolores Pimienta, is also hopelessly in love with Cecilia. Cecilia rejects Pimenta's advances and conceives Leonardo's son.

However, love between Leonardo and Cecilia does not last. He abandons her and becomes betrothed to a white upper class woman, Isabel Ilincheta. Cecilia turns to the faithful Pimienta to plan revenge. On the day of his wedding, Leonardo is assassinated on the steps of the cathedral by Pimienta who acts on the instigation of Cecilia. Pimienta is executed, and she is thrown in prison.

Musical numbers:
1. Prelude: Instrumental on selections from love theme “El corazon no sabe mentir”
2. Po po po: An Afro-Cuban tango congo sung by ex-slave Dolores Santa Cruz
3. Yo Soy Cecilia Valdes – Salida de Cecilia (Song of Cecilia)
4. Marcha de los Estudiantes (Marcha Habana)
5 Dulce Quimera (Sweet Chimera)
6. Lamento de la Esclava (The Slave’s Lament)
7. Eres Mi Sueno (You are My Dream), aka Gran Duo
8. Tanila (sung by Dolores Santa Cruz,)
9. El corazon no sabe mentir (The heart does not know how to lie)
8. La Contradanza (ballet instrumental)
9. Hija del Amore (daughter of love) aka Cancion de Cuna, Lullaby
10. Sanctus		Soloists: Sop 2Ms.Ten.Bar.HighVoice, SATB Chorus, 2(Picc).2.2.2: 4.3.3.1: Timp.Perc(3-6): Pno.Hp: Str
13422C469D5BB-61D9-46DB-93F0-B6D2AA8C58D210540190Amour Viens Aider for Baritone/Euphonium and PianoAmour Viens Aider ("Love, Thy Help") is one of the most performed arias in the operatic repertoire. It appears at the opening of the second act of the opera Samson and Delila, in a scene where Delila pleads to an ancient love deity to help her seduce and defeat the Hebrew warrior Samson. This arrangement by Paul Whear effectively translates the haunting aria to the solo brasswind medium, allowing instrumentalists to play and enjoy a fine Romantic miniature.Baritone B.C. and Piano
13423C46A1B9F-68C2-426A-9D88-CB535FB2CEE2A131802Romeo and Juliet: Symphonie Dramatique, Op. 17: Love Scene(not set)2, 1+1, 2, 4 - 4, 0, 0, 0, str, mx chor, off stage chorus
13424C46BBA5A-5060-4A10-B8EB-21B205EBD9F1R00381Concerto for Bassoon and Chamber OrchestraBernhard Heiden's Concerto for Bassoon and Chamber Orchestra is a two movement work scored for an accompaniment of string orchestra and two horns. The chamber orchestra parts are available on rental from the publisher. In addition, the solo part with piano reduction are available for purchase.Bassoon Solo 0.0.0.0: 2.0.0.0: Strings (minimum 6.6.4.3.1)
13425C46CC751-0219-4BD3-B163-65671E00B925A124002Concerto for Two Violins in D minor, BWV 1043 (Double Violin Concerto)Concerto for Two Violins in D minor, BWV 1043 was written by Johann Sebastian Bach (1685-1750). Also known as the Double Violin Concerto, it was composed as part of a concert series Bach ran as the Director of the Collegium Musicum in Leipzig, and it remains one of his most successful works. Instrumentation: 2 Vn Soli: Hpshd: Str (2-2-2-1-1 in set). This reprint version is edited by Wilhelm Rust for the Bach Gesellschaft Ausgabe (Bach Society Edition). Study score.2 Vn Soli: Hpshd: Str (2-2-2-1-1 in set)
13426C46CE57B-6561-40C6-9811-2CFCEE7EF23CSC79Holy InnocentsSab
13427C46EA110-5C76-4AEC-B4B6-71837A5A503252720606Romance for Viola and PianoRomance in D has a wide range of expressive dynamics and lyrical emotion expressed through legato and detaché phrasing. All in alto clef, it highlights the resonant register of the viola, with ample opportunities to show off the depth and breadth of your own personal sound. The harmonic progressions are delightful and add to the subtle colors of the melodic phrases.Viola, Piano
13428c472a37c-9e3a-11f0-a418-0022482c9682BSMVM102Father and His Daughter, AReflects the feelings of the father of the bride on the day of her wedding. Wedding service or reception solo.Medium Voice, Piano
13429C472DE2D-633F-4139-8A03-736CA7DEE35BX051002Concerto Ottocentesco (Violin Concerto in the Ninteenth Century Style)"The characteristics which give a charming beauty and a variety of sentiments to this concerto are various---a melody free and spontaneous, an elaboration clear and persuading, an elegance of phrases, a matchless perfection of style and harmonies...Violin virtuosi should not forget this concerto." --Il Quotidiano, ROME. Recorded by Sergei Stadler and New Moscow Symphony on Naxos.Violin, Piano (reduced from Violin Solo: 2.2.2.2: 4.2.0.0: Timpani.Harp: Str)
13430C47822EC-18D5-4C12-9F68-FFEA9FF8AB78A880702Messiah, HWV 56: Part I, No. 4, Chorus: And the Glory of the Lord (Urtext)This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering with continuo realization by Kurt Soldan. The chorus AND THE GLORY OF THE LORD is No. 4 from Part I of the complete oratorio, though this urtext edition lists it as No. 3 as the overture is not given a number. Instrumentation: 0.2.0.1: 0.0.0.0: Hpchd: Str (4.4.3.3.3 in set): Chorus.0.2.0.1: 0.0.0.0: Hpchd: Str (4.4.3.3.3 in set): Chorus
13431C478746C-55C7-45C1-BFA7-F6FEAFF90C15R01424Red Dogs and Pink Skies"Color is the language of the listening eye," said painter Paul Gauguin. Listen to Gauguin’s paintings in this colorfully evocative musical homage.Flute, Clarinet, Percussion, Violin, Cello, Bass. Slideshow available.
13432C4790FE0-02E4-4857-B337-B4FBB450EED8SS750Grand Canon, The (out-of-print)Percussion Ensemble
13433C4961646-3E80-4606-8635-56F95AE03DC4V57Grab the Bull By The HornsPiano/vocal
13434C4975622-3158-4C43-9728-CA503AD1BDCFM301291Three Songs, Op. 11(not set)Voice and Piano
13435C49EC425-5C92-4339-91FE-8A004194D848A390402Coronation Anthem No. 2: The King Shall Rejoice, HWV 2590, 2, 0, 2 - 0, 3, 0, 0, timp, org, str (2.2.1.1.1), mx chor
13436C4B6B6B4-9E33-4663-830C-275A6DE84DE5A502802Suite ConcertanteSUITE CONCERTANTE was originally written for an orchestra of eight celli and double bass, and the work was premiered on April 19th, 1970 in this form. Some years later, Alfred Reed re-scored the second movement of this five-movement work for string orchestra and harp, and this version was premiered in 1976 with Dr. Lucas Drew conducting the Bicentennial Chamber Orchestra of Miami. Then, in 1981, Lucas Drew, now president of the American String Teachers Association (ASTA), revisited the work, suggesting to Alfred Reed that he re-score the remaining four movements also for string orchestra, though the harp is omitted for those movements. It is this work for string orchestra, with harp included in the 2nd movement, that is available here from the publisher. The music consists of five individual movements of widely varying character, with no special thematic interconnections between them other than the fact that the fourth movement, "Chorale," was designed to lead directly into the fifth, and, in its closing measures, foreshadows the main theme of the movement to come. Movements: I. Prelude and Fugue, II. Siciliana Notturno, III. Scherzando Espagnole, IV. Chorale, V. Toccata La Rocca. String count of 8-8-5-5-5 included in the set.Harp: Str(8-8-5-5-5 in set)
13437C4C21BB7-8052-4CF8-A119-C1577F6B516DA797302Romeo and Juliet(not set)2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str
13438C4C4276F-9004-4251-9DBB-18ED24013994SU477Philharmonic FanfareA one movement piece, this fanfare is a celebratory work in three short sections: a bold opening fanfare, a lively and energetic fugato, and a return to the opening fanfare. It was commissioned by members of the NY Philharmonic as a gift for Kenneth Campbell in recognition of his wonderful support and tireless work on their behalf.Trumpet, Horn, Trombone
13439C4CB3CFF-551B-4164-872E-7ABA6A6B2924SO102At the FarmAt the Farm is a composition of intermediate level difficulty dedicated to the composer's grandfather, a life-long farmer. The first section is light and playful while the middle section is more legato. Each instrument plays the rhythm of at least one of the themes with attention given to development of dynamics and easy to follow bowings.String Orchestra
13440C4CB484E-4BEA-46E6-A571-703B28455D43SC331EveningSatb