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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
2741267A206E-9CEE-41AF-A3F9-EA5D2E4F6722SU79COSighs Of CarnivalAs the title suggests, this work for advanced mallet ensemble summons the flavor of Carnival. It is scored for seven players: Bells, chimes/shaker, marimba/claves, vibes/vibraslap/flexitone, bass marimba/small bass drum, timbales/suspended cymbal, and congas/bongos.7 Players: 5 Mallet and 2 Percussion
27422685AD21-DA91-484E-8DF5-5D5EFB4B8515A742702Indigo un die Viertzig Raeuber: Tausend un Eine Nacht Walzer, Op. 346 (Thousand and One Nights Waltzes)1, 1, 2, 1 - 2, 2, 1, 0, timp, perc, pf cond sc in set, str
2743268B80D3-9563-4492-BE2F-66267B75723EM316091Four Songs, Op. 14These four early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Walter Learned (The Summer Wind), Jules de Rességuier (Le Secret), T. B. Aldrich (Sweetheart, Sigh No More), and E. R. Sill (The Thrush).Voice and Piano
2744268F8389-FEA5-412A-BD28-EE5B2B5229A352250948Lewis And Clark TributeString Orchestra
2745269365CF-8E36-4875-80AA-46F980B53D5EX504069String QuartetThis string quartet in one movement (allegro) is from the late-romantic Italian master.String Quartet
2746269990DF-B01F-4E36-9B3C-2C5F39C7302CM368691L'Organiste Pratique, Op. 56, Bk. 9French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
2747269C17AF-96DC-4F2A-A461-0062756E3ABEM169391Four Pieces, Op.37(not set)Organ
274826A400F0-E679-4AFE-8426-BDE15DD79C6FA932390Five Pieces (Funf Stucke), Op. 10Similar to Anton Webern's (1883-1945) Bagatelles in it's use of twelve tones and brevity, Funf Stucke (Five Pieces) is composed of five short pieces for chamber orchestra written between 1911 and 1913. Webern conducted the premiere in Zurich in 1926. Inspired by Mahler, Webern included harmonium, mandolin, guitar, celesta, bells and cowbells to this small orchestration. 1dPicc.1.1(dBcl)+Eb Cl.0: 1.1.1.0: Perc(4).Hrmm.Clst.Mdln.Gtr.Hp: Str(1.0.1.1.1).1dPicc.1.1(dBcl)+Eb Cl.0: 1.1.1.0: Perc(4).Hrmm.Clst.Mdln.Gtr.Hp: Str(1.0.1.1.1)
274926A89AC0-56B0-4E78-B8B1-C154E1D36B80SS211Concerto, Op. 35 (out-of-print)Flute
275026A8D69B-3740-4440-BA6D-6523169C316550100140Jupiter: The Bringer of Jollity for BandBrilliantly transcribed for younger players by Aric Branchfield, Holst's timeless melody affords the conductor/teacher with a wealth of teaching opportunity. Inherently beautiful, the work will mesmerize all, allowing your players to perform great music with ease and elegance.Concert Band
275126B14E7B-5A51-4020-9089-18090C10E340A817802La Valse - Poeme ChoregraphiqueMaurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work. An older idea that Ravel had as early as 1906 was to compose a work titled "Wien" (Vienna) as a tribute to the Waltz King Johann Strauss II. Before any work was completed, World War I intervened, and Ravel composed nothing as he served as an ambulance driver at the front. He returned to the idea when famous impresario and founder of Ballets Russes, Serge Diaghilev, commissioned a new ballet from Ravel in 1919. Upon hearing a piano reduction of the new composition, however, Diaghilev referred to the work as a "masterpiece," but rejected the work as "not a ballet. It's a portrait of ballet." A young Francis Poulenc, who was in the room at the time, reported that, "Ravel proceeded to give me a lesson in modesty which has lasted me all my life; he picked up his music quite quietly and, without worrying about what we all thought of it, calmly left the room." The rejection destroyed Ravel's and Diaghilev's relationship, and when they met one last time, Ravel's refusal to shake hands resulted in Diaghilev challenging the composer to a duel, though the Russian was talked down. Since its premiere in Paris on December 12, 1920, the work has found a regular home in the orchestra repertoire and was even staged as a ballet in the 1950s. But, despite Ravel's own attempt to put to bed the notion that the work is symbolic, many see a commentary on the post-war Europe after the war; a distorted version of a Viennese waltz that critiques Austro-German militarism and looks back at the world where the waltz dominated as a bygone era, one that the war destroyed. Whether a "dance of death" or what Ravel describes as just "a dancing, whirling, almost hallucinatory ecstasy, an increasingly passionate and exhausting whirlwind of dancers, who are overcome and exhilarated by nothing but 'the waltz,'" La Valse continues to have a place in the concert hall today. Instrumentation: 3(3dPicc).3(3dEH).2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set). Study score.3(3dPicc).3(3dEH).2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set)
275226B35BEF-8CF0-4D55-A8AC-1D1FBCA8779CST171AlboradaBaritone
275326B40C5F-2070-4DF1-BC6D-48223E665643X662504Garden of Earthly DelightsPremiere at Cygnus at Symphony Space, Cutting Edge Concerts NY.Flute, Oboe, Violin, Cello, Guitar and Mondolin
275426B559C0-A1E2-45DE-B498-CAC7D2116DE120537452Two Sentimental SongsThese two popular songs from the late 19th century represent the Victorian sentimentalism that was evident in all phases of life during that time. Sweet and Low was composed by Joseph Barnby, a highly respected English composer of choral music. It is characterized by "blue" harmo­nies that have come to be known today as barbershop harmony.

Alice Hawthorne is listed as the composer of Listen to the Mocking Bird, however, that is a ficticious pen name. The real composer was Septimus Winner, a well educated black man from Philadelphia who wrote over 200 volumes of music, all under several ficticious names. This tune was composed in 1859, and Winner sold the copyright for five dollars. But in the next 50 years, it sold over 20 million copies. Several other well known songs he wrote are Whispering Hope, Ten Little lnjuns, and Oh Where Has My Little Dog Gone.

This arrangement has been dedicated by the composer to an outstanding trombonist and music educator Dale Laukhauf.		Euphonium 1 (F Horn or Trombone); Euphonium 2 (alt. Trombone); Euphonium 3 (alt. Trombone) and Tuba
275526B7556C-F1EC-4A83-A541-D9A7DF5D9736B27915 Technical StudiesDespite being a successful student of Tulou at the Conservatory of Paris, little is known of Helene-Jean-Joseph Albert de Miramont. After his education, programs and reviews suggest Miramont was a well-regard flutist and composer in Paris, producing works of "unarguable merit." Arthur Ephross has here edited 15 of Miramont's studies for flute.Flute
275626B7D7A7-F16B-496F-A9C0-6713BDED4DC0B164Drum Ensembles for All OccasionsMixed percussion, 2 to 5 players
275726badc18-9e3b-11f0-a418-0022482c9682M375291Danzas Afro-CubanasAdventure to another time and place with this collection of dances! This transcription of Ernesto Lecuona's DANZAS AFRO-CUBANAS features an impressive cello solo based upon the original 1930 piano suite. Performance time Approx. 15 minutes. Movements: I. La Conga de Media Noche II. Danza Negra III. ...Y La Negra Bailaba! IV. Danza de los Nanigos V. Danza Lacumi VI. La ComparsaVioloncello and Piano
275826C41299-BB28-4369-B11F-C38FF1C16D72B483Church Instrumentalist, Bk. 2a (Christmas)This album is a collection of 10 Christmas tunes arranged for flute solo and duo with organ or piano. Songs included: 1. Carol of the Children of Bethlehem, 2. Angels We Have Heard on High, 3. Joseph went A'Walking, 4. He is Born, 5. Panis Angelicus, 6. Adagio (J.S. Bach), 7. Shepherds, Up!, 8. Trio from "Lenfance du Christ", 9. A La Nanita Nana, 10. O Come Little Children/ Carol of the Bagpipes.Flute solo/ duo with Piano
275926D0B50F-03C1-4DD8-8524-95143482B947SC624Joseph Dearest, Joseph MildSA and SSA arrangements by Shari Riley of the German tune are available from the publisher.Ssa
276026d2f275-9e3b-11f0-a418-0022482c9682M375891Six Trios, G 107-112/ Op. 38 (also Op. 47)Luigi Boccherini (1743-1805) composed these SIX TRIOS for violin, viola, and violoncello in 1793. While they were published as Op. 38, in Boccherini's own autograph catalog, he lists it as Op. 47, which can result in some confusion. This edition is by Wilhelm Altmann. Reprint edition.Violin, Viola, and Violoncello