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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
78617346E8BE-D611-4550-99CA-9378E616874852710044Christmas Carol Fantasies for Violin and Piano(not set)Violin and Piano
78627353F42C-1E92-43B7-8837-27139CD0EFA9A326802Serenade No. 1 for Strings in C, Op. 62While not so well-known today, Robert Volkmann (1815-1883) was a composer of some standing among his contemporaries, encouraged to pursue music by Robert Schumann, called "dear friend" by Johannes Brahms, and promoted by Franz Liszt with whom he taught at Budapest's National Academy of Music. This SERENADE FOR STRINGS is one of three written by Volkmann, all three of which were among his most popular works and which were often performed up until World War I, when he and his music began to disappear, like the music of other fine Romantic era composers.String Orchestra (8-8-5-5-5)
78637353F960-BF60-48D4-93A6-2DB9E999ED07SU274Canons, Catches, and Rounds for 3 & 4 Bass Clef InstrumentsA compilation of 16 works by English Baroque composers, including Purcell, Byrd, and Blow, arranged for bass clef trio and quartet. Bowings are included for string players, and fingerings are included for cellists.Mixed Ensemble
786473565549-5323-46EF-80E0-7CB7B6FB3515SC520How Firm a FoundationSatb
7865736B05DE-5DD1-4C08-B571-344B8FDE770DSS236COConcerto in C Major, K299 for Flute, Harp and Piano(not set)Flute, Harp, Piano
7866736BC75B-C216-4279-A3E1-51C038D1A4DFM989190La Gazza Ladra Overture(not set)Full Orchestra
7867736E42FA-3EF4-44BB-AE7C-45D42B3E75BFA139302La Mer (1909 version)LA MER was the second of Claude Debussy’s (1862-1918) three orchestral works in three sections. Although the composition of LA MER took him more than a year and a half, this was unusually quick progress by his standards. LA MER was premiered in Paris in October 1905 and was initially not well received. However, the work was performed in the US in 1907 and in Britain in 1908, and after its second performance in Paris, in 1908, it quickly became one of Debussy’s most admired and frequently performed orchestral works. This edition by Clinton F. Nieweg, Nancy M. Bradburd, and Lawrence N. Halverson is based on the second published Durand edition of 1909, which included the composer’s revisions. Instrumentation: 2+Picc.2+EH.2.3+CBsn: 4.3+2Cnt.4.1: Timp.Glsp-Cel.Perc(4): Hp(2): Str(9.8.7.6.5 in set). This newly engraved publication is part of the Nieweg Performance Editions series.2+Picc.2+EH.2.3+CBsn: 4.3+2Cnt.4.1: Timp.Glsp-Cel.Perc(4): Hp(2): Str(9.8.7.6.5 in set)
7868737008C2-AE24-4BBA-8782-9D57ED43E3A3SS545Octet, Op. 100 (out-of-print)Woodwind Octet
786973726EE6-3838-4D9C-AD93-74B3FD3491C5SC409Mother's Love(not set)Sab
787073734463-8B21-40F3-9D58-3AFC2A912F9A10100490Spirits BrightSpirits Bright is a sparkling new medley of Christmas favorites by one of the truly great arrangers for band. This setting is guaranteed to get everyone into the holiday mood. Included are Jingle Bells, O Come, All Ye Faithful, Hark! the Herald Angels Sing and Up On the House Top.Concert Band
787173787416-3538-4C36-B3C9-D4D4A0900B8CX305004Tango Para Percusion (Tango for Percussion)From the Carlos Saura film, Schifrin's Tango para Percusion is an effective character piece perfect as a concert endpiece or a brief segue. The scoring for timpani and four percussionists layers tango rhythms over a bass drum pulse creating a lively and melodic effect.Timpani, 4 Percussion (Suspended Cymbal, Guiro, Tenor Drums,  Bass Drum)
78727378F1E0-B4F2-4E0A-9150-CC4975425775A128502Concerto for Violin in D, Op. 61Ludwig van Beethoven (1770-1827) composed the Violin Concerto in D major, Op. 61, in 1806. The premiere by violinist Franz Clement on December 23rd, 1806, at the Theater an der Wien was poorly received, and the work remained obscure until 12-year-old violinist Joseph Joachim revived the work in 1844, long after Beethoven's death, at a performance by the London Philharmonic Society under Felix Mendelssohn. It is now one of the major contributions to the violin repertoire and is regularly performed today. The solo violin parts has been edited and provided with the cadenza by Carl Flesch. Instrumentation: 1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.1.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin
787373876DCA-E671-47D2-8C93-19A59EB04E34B20229 Quartettes, Bk. 1This collection of 29 quartets by B.E. Muller comes in four separate books and are written to be played by four horns in F, three horns in F and bass trombone, or four trumpets in Bb. Book 1 quartet titles: 1. Religioso (Muller), 2. Jagd - Chor (Muller), 3. Die Allmacht Gottes (Muller), 4. Herzog Ernst Jagd - Marsch (Muller), 5. Lied im Volkston (Muller), 6. WaldeinsamkeitHorn Quartet
78747389B333-2104-491C-8805-39167A42CFC2X504016Dawnen Grey(not set)String Quartet
7875738A9D36-E88C-4ED0-834B-7E38925084F8SC815Spring2009 Texas University Interscholastic League Sightreading for 2B, 3C, and 2C Varsity Mixed (SATB) Choirs and 2A and 1A Non-varsity Mixed (SATB) Choirs.SATB
7876738B0825-6B55-45AE-A2C7-F69449DBDFC5A706202Symphony No. 91 in E-flat (Hob. I:91; critical ed.)Count d'Ogny commissioned Franz Joseph Haydn (1732-1809) to write three symphonies for the Concert de la Loge Olympique, which was then recognized as one of the finest orchestras in Europe. He completed the second of these, the SYMPHONY No. 91 in E flat major, Hob. I/91, in 1788. It received its premiere the next year in the Tuileries Palace gardens, mere months before King Louis XVI and his royal family came to live there under custody of the French Revolution. It is his last symphony to exclude trumpets and timpani, but stuffed with delicacies that would have appealed to its Parisian audience. Its graceful, ebullient character offers no hints of the hard misfortune that would soon fall on the aristocratic listeners who first enjoyed this charming work. Instrumentation: 1.2.0.2: 2.0.0.0: Str (4-4-3-2+2Vc Obligato-3 in set). Reprint of this critical edition by H.C. Robbins Landon.1.2.0.2: 2.0.0.0: Str (4-4-3-2+2Vc Obligato-3 in set)
787773948875-72B9-47ED-8827-843829636DD2SU540Capriccio: Tone and Performance Studies No. 17Julius Weissenborn was an esteemed 19th century bassoon player and pedogogue, whose compositions and studies are still a major part of a young bassoonists education today. This piece is part of his "Tone and Performance Studies", of which the publisher offers several other titles including: "Arioso", "Song Without Words", "Elegie", "Humoresque", "Adagio", "Notturno", "Scherzo", "Ballade", "Romance No.1", "Capriccio", and "Romance No. 2".Bassoon and Piano
7878739D3ADC-BF2B-4579-A028-5CEAEDCD22D852250573Four Asian Folk SongsFour traditional songs, from China (Descendant of the Dragon), Japan (Sakura), Korea (Arirang), and Vietnam (Ly Cay Bong) comprise this unique medley. Not only does each section get its thematic moment, but the orchestra also imitates the sounds of traditional Asian instruments. All parts remain in first position, with several tempo and mood changes, from lyric and ethereal to a driving contrapuntal ending. Thorough editorial notes give the history of each song, performance suggestions, and background on the arranger.String Orchestra
7879739D3CE4-F1C1-407D-B0EE-A3FC11BEB5C9S306POP out of print: Anaconda Copper MinesMarching Band
788073A15BC7-74E5-4C78-B4C4-4727FEFB65E260710009Bruyeres, No. 5 from Preludes, Book 2Unlike Bach and Chopin, Claude Debussy (1862-1918) wrote his twenty-four PRÉLUDES for solo piano without a clearly organized pattern of key relationships. They were written from December 1909 to April 1913, in two sets, with twelve preludes to each volume. Jane Mortier delivered the premiere of the first volume on May 3, 1911, at the Salle Pleyel in Paris. Walter Morse Rummel gave the first complete performance of the second volume on June 12, 1913, at the Aeolian Hall in London. PRELUDE No. 5 from Book 2, subtitled BRUYÈRES, bears similarity to another of his works for piano, LA FILLE AUX CHEVEU DE LIN (THE GIRL WITH THE FLAXEN HAIR). The pianist Marguerite Long, a friend of the composer, suggested that it sounded reminiscent of the mingling scent of sea mist and pines. French composer and arranger Lucien Garban completed this transcription of No. 5 from Book 2 (BRUYÈRES) for violin and piano in 1926. Reprint edition.Violin and Piano