Titles
Showing 2,841-2,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2841 | 2812AB2A-6522-4D0A-ACCA-8B41D4EF05B4 | 10620385 | Crepusculo | Crepusculo, a grade 5 piece by Steve Kastuk for 4 mallet solo, is designed for a 4.3 octave marimba. It is dedicated to Ann Marie Krause. | Marimba Solo | |
| 2842 | 28160e20-9e3b-11f0-a418-0022482c9682 | M383491 | Miroirs | Written by Maurice Ravel (1875-1937) between 1904 and 1905, Miroirs (Mirrors) for solo piano came at a time of fertile creativity following Ravel's resolve to pursue his own unique style rather than bend to the more conservative elements of the Parisian music scene. It includes five movements, with each movement painting a sonic picture of a scene. The work has always remained popular with pianists and listeners, and this edition by Richard Dowling offers an extensive preface and editorial details to help pianists approach the music for the greatest success. Movements: I. Noctuelles (Nocturnal Moths); II. Oiseaux tristes (Sorrowful Birds); III. Une barque sur l'océan (A Boat on the Ocean); IV. Alborado del gracioso (Aubade of the Jester); V. La vallée des cloches (The Valley of the Bells). | Solo Piano | |
| 2843 | 28168508-ACE9-4FDC-A975-0247E64902C8 | SS18 | 6/8 ON PARADE (OUT-OF- | |||
| 2844 | 281785A1-FEAB-46F4-A329-8B230F58EA0D | SU218CO | Serenade for Flute, Oboe, Horn, Bassoon and Guitar | This edition of Kalliwoda's Serenade for Flute, Oboe, Horn, Basson, and Guitar was revised by Janet F. Carpenter. | Flute, Oboe, Horn, Bassoon, Guitar | |
| 2845 | 282F03AA-740D-4905-9A92-46747D371713 | X531026 | Rapture for Cello and Piano | Akademiekonzerte, Berlin at the American Academy in Berlin with Jens Peter Maintz-Violoncello, principal cello of the Deutsche Symhonie Berlin. Stephan Kiefer-Klavier. | Cello and Piano | |
| 2846 | 283265DA-B53A-4F3A-9947-27882DF1621E | R00718 | Fanfare for a Pleasant Occasion | Composed for Mack Richardson's wedding. | Brass Quintet, Timpani, Percussion(1) | |
| 2847 | 2836BACD-8F39-4AD8-9A2B-189D12DB8032 | A181002 | Symphony No. 35 in D, K. 385 ‘Haffner Symphony’ | Wolfgang Amadeus Mozart (1756-1791) composed his SYMPHONY No. 35 in D Major, K. 385, in the summer of 1782. It is also known as the HAFFNER SYMPHONY after the affluent Salzburg family by which it was commissioned. The occasion of the premiere was to celebrate the ennoblement of Haffner’s song Sigmund. In preparation for the first public performance at the Burgtheater in Vienna on March 23, 1783, Mozart scrapped two movements and embellished the instrumentation with flutes and clarinets. As Joseph II had been in attendance, he later wrote that he was pleased by the Emperor’s enthusiastic applause. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set). | 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set) | |
| 2848 | 283A4703-FE0E-4D07-9A19-AEFF7738A9C6 | S981CB | Commemoration | Commemoration was commissioned by the members of the Northwest North Carolina Bandmasters Association to recognize the distinguished career of Dr. William A. Gora, the longtime Director of Bands at Appalachian State University, who passed away in 2015. Bill was loved by his students, respected by his peers and cherished by his many friends. A brilliant musician, a fine conductor and a warm human being with a marvelous sense of humor, Bill has been sorely missed by all. Gora was friends with composer James Barnes for over 40 years. They met when Barnes was still in graduate school at Kansas and Gora had just finished his DMA at the University of Florida. When the NNCBDA asked Barnes to compose a work in Bill’s honor, he was honored to do so. He decided to write a cheerful work for Bill, full of energy, color and melody, because he knew this is what he would have wanted; no funeral dirges for Bill Gora. The soft middle portion of the work, a hymn-like tune scored in saxophone choir, was included because Bill was a fine saxophonist and, for many years, the saxophone teacher at ASU. | Concert band | |
| 2849 | 283FDEBE-55E0-4AA6-B92C-045EAC03D7DF | R01637 | Expressions for Narrator, Soprano, Chorus, and Orchestra | This work, Expressions, began as an idea by Music Director of the Dayton Philharmonic Orchestra, Neal Gittleman, to create an artistic work that puts to music the poetry of Sierra Leone, a winner of the Ohio Governor's Award for the Arts. Working closely together, Steven Winteregg and Sierra Leone used Miriam Rosenthal, an early administrator of the Dayton Philharmonic and namesake of the Miriam Rosenthal Foundation for the Arts that commissioned the work, as a unifying idea, discovering eight words often used to describe her: Tenacious, Graceful, Radiant, Humorous, Inspiring, Worn, Jubilant, and Dynamic. Each word a movement, they are performed in a continuous manner without break, and reflect how Miriam Rosenthal worked but also parts of every human being’s life experiences. The outer movements are for orchestra alone and can serve separately as a wonderful opening work on a program. Neal Gittleman said of the work that it is "a great new addition to the orchestral and choral repertoire" and that "there is nothing like this piece." | 2+Picc.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2): Str: Narr, Sop Solo, SATB Chor | |
| 2850 | 2840CAA7-FF1D-4C50-8BD8-F45D6D35CA5F | S812CB | Ballet Music from Otello | (not set) | Concert Band | |
| 2851 | 284B1A75-BC23-4D4B-9409-76F68F29C3E5 | 10770101 | Entree Nuptiale (A Wedding Suite) | (not set) | Organ | |
| 2852 | 284EBF19-007F-4240-88A6-4F720404CEB1 | SJ509003C | Joshua | Etoile/ Shell Lake Jazz Series | String Orchestra with Jazz Ensemble | |
| 2853 | 285232E8-4033-403C-850A-F7C9A2B27B58 | MR00503 | Concerto for Piano and Orchestra (Oceans Apart) | Commissioned by the Boston Symphony Orchestra for Garrick Ohlsson. The work represents the oceanic vastness of the polarization of our time, with people moving irreparably apart, more broadly, but also musically as concert music is separated so much from American society today. | 3(2nd dAFl, 3rd dPicc).2+EH.3(3rd dBCl).2+CBsn: 4.3.2+BTbn.1: Harp: Timp.Perc(3): Str: Solo Pno | |
| 2854 | 285481C8-EC01-40DD-88B0-6941B2C62034 | SU390 | Nocturne | Flute, Harp | ||
| 2855 | 285ACCA0-E0EC-4535-BFC0-039263CFF5E0 | M901802 | Famous Melodies of Brahms | (not set) | Concert Band | |
| 2856 | 285E169C-215A-4E86-8E99-FFF66175E573 | 50352009 | Easy Original French Horn Duets and Trios | Beautifully written and arranged with the young player in mind, these 33 duets and trios make wonderful concert and festival repertoire for early performance. Several of the titles coordinate with other books in the Easy Original Duets and Trios series and may be played in mixed combinations of instruments. There is even a very nice easier selection that can be performed with snare drum. Teachers looking for new and interesting material will be pleased to find several enjoyable selections in a variety of styles, suitable for players whose performance abilities range from beginner to intermediate levels. We enthusiastically recommend the easier duets and trios as first concert material. The note ranges in these selections are very limited and the writing style encourages independent thought. | F Horn | |
| 2857 | 28690786-B3A5-4ACE-9E44-83643455250F | S1013CB | Pride of the Maroon Dragons March | This march was written for the Durham MS Band in Lewisville, TX, an enthusiastic group of young musicians, growing in their technique and musicality and eager to sound like “the big kids.” Pride of the Maroon Dragons features a variety of articulations for the trumpets and upper woodwinds in the first strain, and a bold melody for the low brass and low woodwinds in the second. The trio features a smooth, legato melody in the clarinets and horns, followed by a melodic refrain in which every section has something important to say. Throughout the march, the percussionists have plenty to do on many different instruments, while the horns will be smiling quietly because they don’t have to play any “after-beats!” | Concert Band | |
| 2858 | 286a18e1-9e3b-11f0-a418-0022482c9682 | M385591 | Sonata No. 1 | Brahms famously described this piece as "certainly not difficult to play", and while easier than some of his other very challenging works, it is still a quality performance piece. The SONATA NO 1 is written as a solo with more of a duet feel between the cello and piano, creating a beautiful interweaving of harmony and melody. This piece written in three movements shows Brahms' influence by Bach in it's more classical and structured style. A beautiful selection to add to any cellist's repertoire. | Cello and Piano | |
| 2859 | 286CFDAB-7EC7-4108-BD99-17AECCBE6074 | TC950 | Tantum Ergo | Gabriel Faure wrote at least three versions of Tantum Ergo. Faure Opus 62, No. 2 was written in 1894 for SSA Choir with organ (or Piano) accompaniment. | Three-Part Chorus of Treble Voices | |
| 2860 | 2873017E-0B81-4CAE-A910-985E34CBA661 | 52703397 | Easy String Quartets, Vol. 1 | A collection of simple folk, classic, and Christmas tunes for the young ensemble. Includes piano part for rehearsal only and includes score and parts. These quartets remain mostly in first position. Contents: Czech Song, Jolly Old St. Nicholas, Good King Wenceslas, Simple Gifts, Waltz Song, Lullaby Jesu, My Paddle's Keen and Bright, This Old Man, La Russe, Romanza, and Piano Sonata in C, Op. 3 (Andre). | String Quartet |