Titles
Showing 2,181-2,200 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2181 | 1E81E26E-9AA9-4E89-91D9-AE23D46FB773 | SS459 | Arietta (out-of-print) | Flute | ||
| 2182 | 1e84948a-9e3b-11f0-a418-0022482c9682 | M314491 | Trente Chants (30): Suite 5, Op. 70 (Recueil de Chants) | French composer and virtuoso pianist Charles-Valentin Alkan (1813-1888) composed thirty one piano works as suites under the title TRENTE CHANTS (also RECUEIL DE CHANTS) across four opus numbers. These have been published by LudwigMasters in five volumes. Suite 5, Op. 70 includes seven titles: 1. Duettino; 2. Andantinetto; 3. Allegro vivace; 4. La Voix de l'Instrument; 5. Scherzo-Coro; 6. Recapitulation en Guise de Transition; 7. Barcarolle. Reprint of the edition by Elie Miriam Delaborde and Isidor Philipp. | Solo Piano | |
| 2183 | 1E87E184-5315-4400-8BB6-7213C3EACBDB | S48 | Laurel March (out-of-print) | Marching Band | ||
| 2184 | 1E88FA71-8D4E-4007-8616-D7FF1CF5D26C | M148091 | Complete Songs, Vol. 2 | This second volume of Complete Songs by Sergei Rachmaninoff includes 35 songs across thee opus numbers. 15 Romances, Op. 26: The Heart's Secret; All once I gladly owned; Come, let us rest!; Two Partings. A Dialogue; Beloved, let us fly; Christ is risen; To the Children; Thy pity I implore; Let me rest here alone!; Before my Window; The Fountains; Night is mournful; When yesterday we met; The Ring; All things depart. 14 Romances, Op. 34: The Muse; The Soul's Concealment; The Storm; Day to Night comparing went the wind her way; Arion; The Raising of Lazarus; So dread a fate I'll ne'er believe; Music; The Poet (You knew him well); The Morn of Life; With holy banner firmly held; What wealth of rapture; Discord; Vocalise. 6 Romances, Op. 38: In my Garden at Night; To her; Dalsies (Margaritki); The pied Piper; Dreams; A-Oo (The Quest). Reprint of edition by Serge and Natalie Koussevitzky. | Voice and Piano | |
| 2185 | 1E8B6A82-FA17-435B-928C-8DA6683EFE24 | ST398 | Summer Nocturne | Versions for solo tuba, trombone/baritone, and horn are all available from the publisher. | Horn and Piano | |
| 2186 | 1E8F2994-00DA-49A2-B5C0-EDD66238B89D | A198702 | Carmen Fantasy, Op. 25 (Bizet) | Spanish violin virtuoso and composer Pablo de Sarasate (1844-1908) was a child prodigy raised in a musical family. Following an education at the Paris Conservatoire, which he entered at the age of twelve, he began life as a touring soloist while still a teenager. Taking popular operas and creating potpourris from their tunes was standard for a virtuoso such as Sarasate. Despite the failure of Georges Bizet’s (1838-1875) opera Carmen at its 1875 premiere, it began its conquest of the opera world soon after Bizet’s death. By the 1880s, the opera was extremely famous and successful, prompting Sarasate to add it to the list of other famous operas that he chose to craft into concert fantasies. He completed the orchestra version in 1881, premiering it in Madrid with the Sociedad de Concertos de Madrid, Mariano Vásquez conducting, on April 17 of that year. He produced a version with piano accompaniment a year later in 1882. Effectively in five movements (a prelude plus four movements) without pause, the work includes the following tunes from the opera: the Aragonaise (Entr’acte from Act Four), Habanera (Act One), an interlude (based on Carmen’s mocking treatment of Zuniga in Act One), the Séguidilla (aria from Act One), and the Bohemian/Gypsy Dance (Act Two). Upholding the dignity of the original opera from which it is derived, Carmen Fantasy (officially titled Concert Fantasy on themes from Bizet’s Carmen, Op. 25) remains one of Sarasate’s most popular operatic fantasies. Instrumentation: 2(2nd dPicc).2.2.2: 4.2 Crnt.3.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Violin in set. Study score. | 2(2nd dPicc).2.2.2: 4.2 Crnt.3.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): Solo Violin in set | |
| 2187 | 1E910639-C502-44E5-99FF-CE47CB2EDAF5 | B171 | DRUM CADENCES FOR ALL | |||
| 2188 | 1E955A6A-2BFB-4A16-9AA9-2E2CD927F365 | SC321 | Amazing Grace (out-of-print) | Satb | ||
| 2189 | 1E990817-8B9D-4A15-953A-0AEFE233FABC | LV441MB | Sting Ray | This little march is the perfect introduction to compound meter and da capo endings. | Marching Band | |
| 2190 | 1E9979E0-F062-4178-9EBF-7FE2546D6962 | 50200045 | Try to Remember (from The Fantasticks) | You will be mesmerized by this arrangement of perhaps the most memorable tune from The Fantasticks. Mike Lewis's light jazz waltz is the perfect setting for this musical theatre classic. Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 comes in set). | 3.1+EH.2+BCl.2: 4.3.3.1: Perc(3): Str | |
| 2191 | 1e9ea233-9e3b-11f0-a418-0022482c9682 | M314891 | Carnival of the Animals, The (Le Carnaval des Animaux), No. 5: The Elephant (L'éléphant) | Following a disastrous concert tour of Germany in 1885-86, Camille Saint-Saëns (1835-1921) withdrew to a small Austrian village, where he composed THE CARNIVAL OF THE ANIMALS (LE CARNAVAL DES ANIMAUX) in February 1886. From the beginning, the composer regarded the work as a piece of fun. He wrote to his publishers Durand in Paris that he was composing a work for the coming Shrove Tuesday, and confessing that he knew he should be working on his Third Symphony, but that this work was "such fun" ("... mais c'est si amusant!"). He had apparently intended to write the work for his students at the École Niedermeyer, but it was first performed at a private concert given by the cellist Charles Lebouc on Shrove Tuesday, 9 March 1886. No. 5, THE ELEPHANT (L'ÉLÉPHANT), for Double Bass (or Violoncello) and Piano, is marked Allegro pomposo, which is perfectly suitable to describing an elephant. This transcription is by Lucien Garban. | Double Bass (or Violoncello) and Piano | |
| 2192 | 1EA005E5-439D-452B-B8FD-B67A3A943C9F | A220402 | Aida: Act II, Triumphal March (concert version) | 2+1, 2, 2, 2 - 4, 4, 3, 1, timp, perc, str | ||
| 2193 | 1EA3EE1C-F398-4502-97A2-C560D512BBA8 | EBM0620044 | Concert Suite for Alto Sax and Band | Movements: I. Lively, II. Like an Old Folksong, III. Scherzando, IV. Introduction and Jump. Premiered by Donald Sinta, saxophone, with the University of Michigan Symphony Band, H. Robert Reynolds conducting, Ann Arbor, Mich., April 9, 1999. Centennial commission by the University of Michigan Band Alumni Association | Eb Alto Sax Solo and Concert Band | |
| 2194 | 1EA8702B-3AAF-48E0-B312-3689152EBE8E | SS495 | Duo in d Minor | Clarinet Duet | ||
| 2195 | 1EB218A0-FE48-41C6-8A47-5DB822D317AE | 10447259 | Sarabande from Oboe Concerto, HWV 287 | The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher. | Clarinet and Piano | |
| 2196 | 1EB511EA-83A3-431D-9799-5BC5E708488A | SC627 | A Sailor's Lament | (not set) | Tbb | |
| 2197 | 1eb7d710-9e3b-11f0-a418-0022482c9682 | M315491 | Six (6) Songs | This collection of SIX SONGS by Franz Schubert (1797-1828) have been transcribed for Flute duo by William Ryden. Songs included: 1. Lachen und Weinen, Op. 59, No. 4/ D. 777 (Laughter and Tears); 2. An die Nachtigall, Op. 98, No. 1/ D. 497 (To the Nightingale); 3. Ihr Bild, Op. 97, No. 9/ D.957 (Her Portrait); 4. 4. Der Jager, Op. 25, No. 14/ D. 795 (The Hunter); 5. Du Bist die Ruh, Op. 59, No. 3/ D.776 (Thou Art Rest); 6. Die Forelle, Op. 32/ D. 550 (The Trout). | 2 Flutes | |
| 2198 | 1EC27C48-DBC7-4E72-AF69-FBB3D61D60F7 | BSMIS115 | Reflections from the Edge of the Millennium for Violin Duo | A fantastic teaching tool for maturing students who are preparing to work on Bach's Sonatas and Partitas, REFLECTIONS FROM THE EDGE OF THE MILLENNIUM is in seven movements: I. Preludio; II. Siciliano; III. Minuet I; IV. Minuet II; V. Gavotte; VI. Sarabande; VII. Gigue. It introduces the dance movements of a suite to students while remaining accesible. Versions for Violin solo, Viola solo, and Violin duo are available from the publisher. | 2 Violins | |
| 2199 | 1ECAF17D-0A23-49E1-9092-383B6104188B | X503005 | Salem Reel for Clarinet, Cello and Piano | An opener/encore inspired by clogging tunes. Clarinet in A. | Clarinet in A, Cello and Piano | |
| 2200 | 1ECD74BB-E337-4AB1-9FA4-CDFE7CBCA66A | SC37 | My Heart Leaps Up | Satb |