BD1A621D-7326-4944-89BF-38E07F1FAF45
| ID | BD1A621D-7326-4944-89BF-38E07F1FAF45 |
|---|---|
| Titlecode | R00076 |
| Title Name | Three Pieces: for 5 Timpani, 5 Roto-toms and Wind Ensemble |
| Marketing Copy | Indiana University Symphonic Wind Ensemble 1990 |
| Instrumentation | Timpani Solo (d 5 Roto-Toms): 5(2d Piccs).3.6+Eb Cl+BCl.3: AATB Saxes: 4.3.4.2 Euph.2: Perc(4).Pno.Hp |
| Commission | Indiana University Symphonic Wind Ensemble 1990, Ray Cramer, Conductor |
| Dedication | (not set) |
| Program Notes | Three Pieces for Five Timpani, Five Roto-Toms and Wind Ensemble was transcribed from the original orchestral version in 1989 at the request of Ray Cramer, Professor Emeritus of Bands at Indiana University. The composition was premiered by Mr. Cramer and the IU Wind Ensemble with Bruce Hamilton as the soloist on February 21, 1991 at the CBDNA National Conference in Kansas City, Missouri. Each of the work’s three movements has been given a descriptive title that succinctly describes either the movement’s structure or its character. The title of the first “piece” in the set, “Chaconne,” may be somewhat misleading, however. In actuality, this movement is isorhythmically constructed and is comprised of two simultaneous and overlapping taleae – a talea being a repeated rhythmic pattern, an ostinato of sorts, which may have a melodic/harmonic component as well. The first of these is played only by the roto-toms, while the other is fragmented among the high instruments – upper woodwinds, trumpets, horns and mallet percussion. The solo timpani and the low instruments do not participate in the ostinati, but rather challenge and provoke one another as they form into a solid third element. The second movement is scored exclusively for percussion. As its title, “Diphona,” implies, it consists of alternating dialogues between temple blocks and woodblocks on the one hand and between two antiphonal sets of timpani on the other. The music of the movement is restrained and quiet throughout and provides a much-needed foil to the more boisterous outer sections. The pitch materials for the third movement, “Lament,” are derived almost entirely from permutations of the five-note row that serves as the basis of Igor Stravinsky’s In Memoriam Dylan Thomas for Tenor Voice, String Quartet and Four Trombones. Stravinsky selected as text for the “Song” (the principal section of his work) the poem Dylan Thomas composed to the memory of his father (Do Not Go Gentle into That Good Night). In my own movement, there appear two modified quotes of the “Song’s” brief refrain – that portion of Stravinsky’s music written to the words, “Rage, rage against the dying of the light.” This third “piece” is scored for the full ensemble and is the dramatic and structural climax of the complete work. Claude Baker |
| Title Brand | 2 |
| Year Composed | 1989 |
| Copyright Number | (not set) |
| Copyright Year | (not set) |
| Duration | 11 |
| Ensemble Size | 13 |
| Date Created | 2008-10-31 20:31:59.000000 |
| Date Updated | 2025-09-30 20:31:59 |
| Inhouse Note | (not set) |
| Bsc Code | (not set) |
| Text Author | (not set) |
| Premier Performance Memo | (not set) |
| Recording Credits | (not set) |
| Review | "...The pieces were not difficult to follow and could become popular fare. They are full of fascinating sounds..." --Times Union |
| Awards | (not set) |
| Title Category | 0 |
| Title Movements | I. Chaconne II. Diphona III. Lament |
| Title Grade | (not set) |
| Set Series ID | (not set) |
| Title Instrument Category Text | Wind Ensemble |
| Title Sub Category Text | (not set) |
| Title Sub Category | 92 |
| Title Instrument Header | 1 |
| Title Grade Text | (not set) |
| Clean Url | three-pieces-for-5-timpani-5-roto-toms-and-wind-ensemble-r00076 |