73129796-9DEE-4D21-95A7-6D6799B0A40F
| ID | 73129796-9DEE-4D21-95A7-6D6799B0A40F |
|---|---|
| Titlecode | X063029 |
| Title Name | Horn Trio (Horn, Violin and Piano) |
| Marketing Copy | Commissioned by Harrison Nelson for Composers Concordance of New York City. The six movement work is a celebratory contemplation of the relationship between this world and the cosmos that contains it- not a pretentious "summing up" of this relationship, but rather an awe-filled contemplation. I. Windsong II. Interlude I: Forest Bells III. Dream of Grass and Water IV. Interlude II: Harbor Bells V. Starsong VI. Small Bear, Large Telescope |
| Instrumentation | Violin, Horn, Piano |
| Commission | Commissioned by Harrison Nelson for Composers Concordance of New York City, 2004 |
| Dedication | For Joseph Pehrson and Patrick Hardish |
| Program Notes | Horn Trio (2004) for horn, violin, and piano was commissioned by Harrison Nelson for Composers Concordance of New York City and is dedicated to Joseph Pehrson and Patrick Hardish, directors of Composers Concordance. The work was premiered by Lynn Bechtold, violin, Barbara Oldham, horn, and Paul Hoffman, piano. The work is structured in four trio movements and two solo piano interludes. The whole piece is based on a shared set of musical material, founded upon the interval of a perfect fifth. The work is a celebratory contemplation of the relationship between this world and the cosmos that contains it -not a pretentious "summing up" of this relationship, but rather an awe-filled contemplation. The opening movement, "Windsong," begins with an irregular rhythmic ringing figure in the violin supporting a melody in the horn. Both of these (rhythmic gesture and melody) are the principal material of the movement. The ringing tapestry continues to build towards the conclusion. The second movement, "Interlude I.- Forest Bells," is hushed. A brief chorale in the middle interrupts the sustained ringing. The third movement, "Dream of Grass and Water," is slow and spare, with a ceremonial atmosphere. The fourth movement, "Interlude II: Harbor Bells," is similar to the first interlude, though its material hints at the fifth movement. The fifth movement, "Starsong," is celebratory. The principal theme is first introduced as an incantation by the violin and horn, over a piano ostinato. The movement builds a bit in texture until a brief slow section interrupts (recalling material from the previous movements). Finally, everyone is caught up again in the swell (with violin and horn singing ecstatically) and the movement presses on to its conclusion with a blaze of starlight. The last movement, "Small Bear, Large Telescope," returns us to earth. It is inspired by a drawing of a small bear gazing into a huge telescope -- awed by the cosmic vision he sees. A quiet, tolling pattern in the piano is the basis for simple melodic development -- recalling material from the previous movements before tolling into eternity. --Carson P. Cooman |
| Title Brand | 2 |
| Year Composed | 2004 |
| Copyright Number | (not set) |
| Copyright Year | (not set) |
| Duration | 20 |
| Ensemble Size | 3 |
| Date Created | 2008-10-31 20:33:15.000000 |
| Date Updated | 2025-09-30 20:33:15 |
| Inhouse Note | (not set) |
| Bsc Code | (not set) |
| Text Author | (not set) |
| Premier Performance Memo | -World Premiere. Lynn Bechtold, violin; Barbara Oldham, horn; Paul Hoffman, piano. 19 Nov 2004. |
| Recording Credits | (not set) |
| Review | (not set) |
| Awards | (not set) |
| Title Category | 2 |
| Title Movements | I. Windsong II. Interlude I: Forest Bells III. Dream of Grass and Water IV. Interlude II: Harbor Bells V. Starsong VI. Small Bear, Large Telescope |
| Title Grade | (not set) |
| Set Series ID | (not set) |
| Title Instrument Category Text | Trio |
| Title Sub Category Text | (not set) |
| Title Sub Category | -1 |
| Title Instrument Header | 18 |
| Title Grade Text | (not set) |
| Clean Url | horn-trio-x063029 |