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FBC324D7-4FAA-4127-92E7-63395C58F730
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Update Title: FBC324D7-4FAA-4127-92E7-63395C58F730
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Program note: "The terms of the commission stipulated that the work should: 1) include solo parts for viola and violoncello; and 2) evoke Mozart in some way ... I used Mozartean elements-the perennial use of the half-cadence for continuity as it occurs throughout Idomeneo, the little rising half-step motive found in that opera’s sea-monster scene, and the musical rockets at the end of Idomeneo‘s ballet music-as creative spurs, as well as the general contour and operatic glow of one of my favorite Mozart works, the Sinfonia concertante for violin, viola, and orchestra (K364)."
Instrumentation
Viola, Cello: 3(Pi).3(EH).3(BsCl).3(CBsn): 4.0.0.0: Timp.Perc: Str
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Program note: "The terms of the commission stipulated that the work should: 1) include solo parts for viola and violoncello; and 2) evoke Mozart in some way ... I used Mozartean elements-the perennial use of the half-cadence for continuity as it occurs throughout Idomeneo, the little rising half-step motive found in that opera’s sea-monster scene, and the musical rockets at the end of Idomeneo‘s ballet music-as creative spurs, as well as the general contour and operatic glow of one of my favorite Mozart works, the Sinfonia concertante for violin, viola, and orchestra (K364)."
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Premier Performance Memo
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Premiere Recording (1992: Argo 433 077-2): The American Composers Orchestra, Dennis Russell Davies, cond., Janet Lyman Hill, viola, Eugene Moye, cello
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