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D1349DE6-ECFA-4D31-8447-0450463161BA
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Update Title: D1349DE6-ECFA-4D31-8447-0450463161BA
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Marketing Copy
Text by the composer after the dramatic adaptation by Philip Littell of Guy de Maupassant’s short story, Boule de suif
Instrumentation
Main cast of 14: 2(1-2dPicc, 2dAFl).2(2 dEH).4 Clar in A (2dEb PiccCl, 3dBCl, 4d Contrabass Cl), 2(2dCbsn): 3.2.2.1: Perc(3).Hp: Str(min.8.6.5.4.2): also On stage 9 tuned soup bowls [available from the publisher with the rental set of parts]
Commission
Commissioned by Glimmerglass Opera, the Institute for American Music at the Eastman School of Music, Meet The Composer, and Opera America
Dedication
Program Notes
Cast The Travelers from Rouen: Élisabeth Rousset, also know as Boule de suif Soprano Count de Bréville Bass-Baritone Countess de Bréville Soprano M. Carré-Lamadon Baritone Mme. Carré-Lamadon Mezzo-Soprano M. Loiseau Tenor Mme. Loiseau Soprano Cornudet Bass The Old Nun Coloratura Soprano The Young Nun Mezzo-Soprano Coachman Baritone At the village of Tôtes: Mme. Follenvie Mezzo-Soprano M. Follenvie Bass-Baritone A Prussian Officer Tenor Stable-boys, Servants and Maids (mute extras) Story synopsis of the Maupassant story taken from "Reflections on the oldest profession" by Theodore Dalrymple (New Citerion, vol. 22, No. 8, April 2004) Boule de Suif takes place immediately after the Prussian victory in the Franco-Prussian War. A group of people travel in a coach from Rouen to Dieppe, in the hope of reaching Le Havre, which is still controlled by the French. Among them are a local aristocrat, an unscrupulous wine-dealer, and a cotton merchant, as well as their wives and two nuns. They are the respectable party. Then there is Boule de Suif (literally Ball of Tallow), a fat and jolly prostitute. Their journey is in the middle of winter, and takes far longer than anticipated. Boule de Suif is the only one who has had the foresight to bring provisions, which she shares with the other passengers, whose hunger overcomes their reluctance to enter into relations with such a fallen creature. They reach an inn where they intend to stay the night, and where the local Prussian commander is billeted. Although they have prior authority from a Prussian general to continue their journey, the local officer refuses them that permission, unless Boule de Suif agrees to submit to his amorous advances. At first, and only very briefly, the respectable passengers are united with Boule de Suif in her outraged and patriotic refusal to comply, but after the elapse of a day, their attitude changes. They send the innkeeper to propose to the Prussian officer that they continue on their journey while Boule de Suif remains, but he rejects the proposal out of hand. Then they find arguments as to why Boule de Suif should submit: she is a prostitute anyway, so one more liaison won’t matter much, and many famous women have sacrificed their virtue for their countries; the nuns find examples of saints who allowed themselves to be ravaged for God’s sake. In the end, Boule de Suif submits to the Prussian officer’s demands, and the next day they are all able to continue on their journey. But having demanded this sacrifice of her, the respectable party now despises her, as a fallen woman, for having made it. The final insult is that they will not share their provisions, which they bought at the inn while she was buying their release with her body, with her.
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Inhouse Note
Update HFA 21C
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Premier Performance Memo
July 22, 2006, Glimmerglass Opera, Stewart Robertson, conductor, David Schweizer, director, Alice Busch Opera Theater, Cooperstown, New York
Recording Credits
Glimmerglass Opera, Stewart Robertson, conductor, Naxos American Opera Classics 8.669014-15
Review
Awards
Winner of the Charles Ives Opera Prize from the American Academy of Arts and Letters.
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