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7C9915C2-6C6E-4710-8B1F-2E49819ADDF9
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Update Title: 7C9915C2-6C6E-4710-8B1F-2E49819ADDF9
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<div>FALLING MAN for baritone and orchestra are based on Don DeLillo's 2007 novel about the events, aftermath, and changed lives of 9/11, a book which enthralled Kenneth Fuchs. DeLillo's unflinching description of raw terror and absolute chaos provided a standpoint from which Fuchs could begin to come to terms as a composer with the shocking and world-changing events of that fateful morning. The work is cast in the form of a dramatic scena for baritone voice and orchestra, and the principal melodic and harmonic elements are organized around a falling twelve-tone theme. Recorded by JoAnn Falletta and the London Symphony Orchestra with baritone Roderick Williams at Abbey Road Studio, Naxos CD �Falling Man� 8.559753. "This is a wonderfully recorded disc that should continue to gain Fuchs the notoriety he so deserves." --Steven Bergman, Edge A chamber version for baritone and mixed octet, arranged by David Krane, is also available from the publisher.</div>
Instrumentation
Baritone: 2+Picc.2+EH.2.2+CtrBsn: Asax: 4.2.2.1: Timp. Perc(4).Pno.Hp: Str
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Dedication
For those who fell on September 11, 2001.
Program Notes
<div><em>Falling Man</em>, Don DeLillo�s 2007 novel about the events, aftermath, and changed lives of 9/11, enthralled me.</div> <div>I was riveted in particular by the dramatic opening prologue, in which the novel�s protagonist stumbles out</div> <div>of the falling rubble of the World Trade Center. DeLillo�s unflinching description of raw terror and</div> <div>absolute chaos provided a standpoint from which I could begin to come to terms as a composer with the shocking</div> <div>and world-changing events of that fateful morning.</div> <div><em>Falling Man </em>is cast in the form of a dramatic scena for baritone voice and orchestra. The work�s principal</div> <div>melodic and harmonic elements are organized around a falling twelve-tone theme, fragments of which emerge at</div> <div>the outset, first in the orchestra and then with the setting of the first line of text, �This was the world now, a</div> <div>time and space of falling ash and near night.�</div> <div>The compositional manipulation of the theme�s twelve individual pitches does not strictly adhere to classic</div> <div>dodecaphonic procedures. The pitches and their permutations are taken up in various melodic and harmonic</div> <div>combinations and provide the basis for musical development and transformation over the course of throughcomposed</div> <div>vocal arias interspersed with orchestral interludes.</div> <div><em>Falling Man </em>was composed from August 2008 through June 2010 in Mansfield Center, Connecticut. I am</div> <div>grateful to Don DeLillo for granting permission for the use of his text and to J. D. McClatchy for his eloquent</div> <div>adaptation for musical setting.</div>
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Inhouse Note
Subito study score - #80602030; Vocal score - #80600320
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Recorded by JoAnn Falletta and the London Symphony Orchestra with baritone Roderick Williams at Abbey Road Studio, Naxos CD �Falling Man� 8.559753.
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